A purpose of the visit to the set of all for the box office in Central Park Caracas, Venezuela 100% Cinema took the opportunity to chat with one of the players in the debut of director Hector Ernesto Puche: Dimas González.
Dimas González is remembered for his participation in: Latino Bar (1991), Black River (1992), knocked on my door (1993), Outdoor (1996), The Voice of the Heart (1997), 100 years Forgiveness (1998), El Rizo (1999), Citizen Card (2000), Bach in Chintz (2002), Tarde de Machos (2002), Night (2003), and bi-173 (2004) Secuestro Express (2005), Ellipsis (2006), Blocks (2008), The Passenger (2009), Taita Boves (2010) and The Boy Who Lies (2011).
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| Dimas González (actor) |
100% Venezuela Film (C100V): - Hi Dimas. You can tell us about your experience in film.
Dimas González (DG): "I think the film changed my life. In the film speaks of the turning points and moments where the film changes. My life changed 190 degrees. I discovered a fantastic world that allows connecting with others and say the things I want, I can raise my doubts, questions and anxieties. In most characters do wrong, and somehow I expose my weaknesses and greatness. The film is telling, a kind of catharsis and healing because it allows me to download an amount of anguish and, precisely, these emotions are used to connect deeply with the viewer.
C100V: - What movies have marked your acting career?
DG: - The players regularly talk about movies that have marked and regular reporters' questions revolve around the films in which one has participated. I think the actor lives here and now in a permanent way, so the film I have marked is what is making me: I am doing. For me every film is a creative process and a challenge. All for the box office is a wonderful opportunity because it is a comedy. I'm with a team of players who have been friends and students of mine. In this process of making the film we relate and connect deeply.
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| Dimas González with the other players |
C100V - All About the Box Office Is first stars?
DG: - always say that it seems I have won every national film awards and so far never had starred. All for the box office gives me the opportunity to play one of the protagonists. That is a major challenge, valuable, and I thank Hector. When I joined, at the last minute, he said he had thought of me and that empty space on the card was the place that was waiting. In fact, before they had spent several actors, some of them quit because there was no money or felt that the director was again. I agreed to do the film because it is a challenge and I remember 15 years ago when I got the award for "Best Actor in Shorts" I promised to collaborate with filmmakers and opera premiums. It's the future of cinema. Hector is a young director, is making his first feature film and that was what I liked. Furthermore, it is a special script that lets you play and have fun.
C100V: - What else can you get ahead of the script of the movie?
DG: - I think it's a script that will give much to say on the national cinema. There is a mood management is one of the things that seem more difficult to achieve in cinema. No end to discover that language ... at all for the box office is that language. On the other hand, is the history of cinema, is touching, is the story of the filmmaker, men, actors who have struggled to do nail art, a film that fails to be an industry, but we are doing with passion, courage and love.
C100V: - This is a man who loves cinema
DG: (A pause and with tears in his eyes):
- all this moves me. I moved my peers, people who make movies and the ability to dream. Some day we have a real cinema, to define us, to say what we mean, to express the anguish of the film and the Venezuelan people in all its dimensions, to help us express ourselves and go out to do important things.
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