On Tuesday May 3 was shown to various members of the press's debut Cesar Lucena: Samuel . After the screening began, as referred to as the filmmaker Alberto Arvelo, a discussion with the audience: Telesur, Diario 2001, Globovisión, El Nacional, RCR, Trujillo Melendez Corporation, CNAC Press Foundation Visor, CA 100% Venezuela Film, among others.
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| The protagonists of Samuel / Photos Press Kit |
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| Press Kit Photo |
Samuel tells the story of a man receives the gift to diagnose and cure the sick. The people of San José del Sur, in Merida, is the setting for this narrative audiovisual, produced by South Cinema, Alberto Arvelo, Tony Fadel (executive producers) and Alcione Guerrero (general producer). It is the second feature movement called "Atom Films" looking film making with minimal equipment and resources is strictly necessary.
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| Wildpret and director Erich César Lucena |
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| Dj Trece, Ananda Troconis and Leandro Arvelo (at microphone) |
Screenplay of the film
"... the issue of my father should not be taken as literal ... it portrayed some contradictions that have" (César Lucena)
"Film is an art collective, it is find the voice of the movie ... When it is necessary to communicate the personal dictionary ... This story speaks of the purpose of life, is told from a village but living here in Caracas also plays "(Erich Wildpret)
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| exposing their ideas |
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| Alberto Arvelo in an interview |
"Nascuy and I played all the instruments, gave us the possibility of time ... the movie is surrounded by things necessary, the big movie of spirit and idea. Not every film has the same rules "(Alberto Arvelo)
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| Troconis Ananda in an interview |
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| Alberto Arvelo and Maite Galán |
"I felt good, I enjoyed a lot, almost always I have a city seal. I got the accent, thanks to Anna and Erich ... "(Carlos Julio Molina" Thirteen ")
" We previous work with the accent, while the closest was the most listened team as we should speak "(Erich Wildpret)
" The extras were local people, of San Jose del Sur (Mérida state) "(Alberto Arvelo)
" Cesar invited me to audition, while she called me. It is the first time a feature film starred. It gives an intense level of communication "(Ananda Troconis)
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| Claritza Leandro Arvelo with (right) and Mixzaida (left) |
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| interview César Lucena |
"We started work with local materials, to borrow furniture and get help from people who collect antiques. The actors were responsible for their makeup "(Leandro Arvelo)
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| Gerard Uzcategui |
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| Ananda Troconis and Jose Alirio Peña |
"natural light was used. The idea was to choose the lessons and hours. Reinforce the Halls. It was filmed on video, used truck, a bag of lights, tripod and necessary "(Gerard Uzcátegui)
" There are two good pictures. One when Samuel is sitting at the foot of the tree and another when it leaves the village to get candy for your child. In this second picture we see the fog "(Cesar Lucena)
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| César Lucena interacting with the audience |
"It took us less than if it were a film in 35 mm ... You can tell a big story with a small theater. The film had to be kept small. There have been over 1500 short films in movie atom "(Alberto Arvelo)
" The difference is in the structure is flexible guerrilla film while the film comes first atom structure "(Erich Wildpret)
"The movie atom has rules based on freedom, must have a responsible image, sound, and a director, in the case of Samuel, we worked also with an art director and of course, actors and extras ... "(Alberto Arvelo)
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| With Erich Wildpret |
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| With |
Exhibition "will leave in 11 rooms, we had support from CNAC ... all who want to see can see" (Alberto Arvelo)
T and F / Cine 100% Venezolano
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